Anyway, I’ve always done pretty well in the competition, and although I’ve never won it (had a second and a third and an honorary mention), I’ve been amongst the prizes four of the last five years. I always come to the competition with a single aim – for my story to garner at least one first place from one person. The way I see it, if my story is at least one person’s favourite then I’m doing something right. I’ve managed to achieve this aim (managed to exceed it by a long way to be honest) although I’ve yet to place any of these tales for publication. I suspect that’s down to a lack of diligence on my part in submitting them.
The last few years the format has been that the authors vote on the stories and then a professional editor makes a final judgement on the top ten and allocates first, second, third place.
These are the tales (oldest first):
The Chicken Shack Kid – 3rd place
Envelope # 6 – 4th place in public vote / 9th in editor’s top 10
When You Next Awake – 9th in public vote / 6th in editor’s top 10 / 2nd in Ed’s (the organiser) list of favourites
Whispering Snakeskin Blues – 4th in public vote / runner-up (by a whisker!) in editor’s choice / in Ed’s favourite list
Kill – 1st place in public vote / didn’t place in Editor’s pick / one of Ed’s ‘top choices’
I think I’m going to set myself a 2012 objective to see if I can’t place all these stories for publication. I think they are all good enough and some readers clearly do, too:
Kill
‘Kill’ was perhaps the most professionally told story with a good concept, ending and a real authors voice that rolled through from beginning to end.
Excellent. First rate writing.
This is one professionally slick piece of writing
Tense, fast-paced, engaging from beginning to end
Kill is awesome. It has the strongest opener, in my opinion, of any story here. It’s suspenseful and relentless from the moment it begins. This story was totally satisfying, in my opinion.
Exciting, good pacing, thrilling, every detail comes together
Very good story. The concept was interesting and disturbing, and the writer did a good job at invoking suspense.
Clever finish, tension built all through
Excellent concept! I wish I’d thought of it.
A real fast pace to this one, just the kind of thing I like.
What a ride. This story starts fast and ends with a bang.
Tight, fast paced writing. A fun ride
I absolutely love the premise of this story
Whispering Snakeskin Blues
I’ll freely admit to being a sucker for New Orleans stories, but this one captured, not only the feel of the place–through sights and sounds and smells–but also the essence of it: which is essentially a big, dirty, dangerous con.
Superbly written
This story was just delicious
Very well told, beautiful and dark
This took you somewhere and did so beautifully
The tone here is wonderful; you can really ‘see’ the landscape with all of your senses. Kudos for atmosphere.
I liked this. It’s a full-blown story with a great POV. The setting is evocative, and the closed circle of the story is nice.
Lovely imagery and vivid descriptions in this one—a very sensual piece.
Terrific evocation of hot, sweaty Southern gothic atmosphere and wonderfully paced storytelling
When You Next Awake
The characterization was really well done.
Both characters were so distinctive, they had individual personalities and goals, and the story just mesmerized me.
Well-written with an intriguing theme
A beginning that pulls you in, and a character that you find believable and interesting, which then allows you to really feel for him when the torture starts (something almost none of the tortue porn movies can pull off)
Excellent and by far the best story for me
Envelope # 6
From the great first line to the twisted ending a very well told tale that made me cringe and smile at the same time. Good job!
I like the idea, like the characters (not actually like them but the idea of them….) and the end just finishes it off nicely!
Good, believable dialogue, good flow, nice finish
First…because of the terrific premise and great pacing – loved the final twist
The Chicken Shack Kid
Very convincing portrayal of the horrors that kids do (and go on to do). Reminiscent of Stephen King’s treatment of teenage relationships.